ABOUT

Oh hey, I’m Kat.

I’m a visual artist, muralist and designer based in Naarm/Melbourne, working across studio painting, large-scale murals and the occasional project that gets wildly out of hand.

I grew up in Thirroul, a small coastal town on Dharawal Country, where the ocean was always nearby and salt seemed to settle on absolutely everything. I think growing up there is probably responsible for a lot of what I make now.

I’m fascinated by place, memory and nostalgia, particularly the way ordinary places become incredibly important once they’re attached to the people and experiences we love.

A weatherboard house. A swimming hole. The corner shop. A backyard chair that's been there forever. The beach you went to every summer.

Individually, they can seem completely unremarkable. But give them enough time and they become part of the story of who we are.

That’s the stuff I like to paint.

Woman standing outdoors on grass with colorful painted shipping containers behind her. Digital illustrations of animals and clouds are overlaid in the sky, including a dragon, a bird, a bee, a hippo, clouds, and flowers.
Colourful tropical poolside painting by Australian artist Kat Tillman, displayed unframed on a simple wall.

THE WORK

Painting places as I remember them.

My studio practice is grounded in painting, using bold colour, simplified forms and playful compositions to explore landscapes and everyday environments.

I’m not particularly interested in making a perfect record of a place. I'm interested in what happens to it after we've remembered it for a while.

Memory edits things.

Certain colours become brighter. Tiny details become strangely important. Other things disappear completely. A place can become warmer, funnier, bigger or more beautiful in our minds than it ever was in reality.

I like working somewhere in that gap.

My paintings often move between the real and the remembered: Australian landscapes, beaches, bushland, houses, holiday spots and those wonderfully ordinary details that somehow become the things we hold onto.

Colour is a huge part of that language. I use it instinctively and often exaggerate it, not necessarily to describe what something looked like, but to get closer to what it felt like to be there.


FROM CANVAS TO WALLS

Eventually, painting on canvas wasn't quite enough.

My practice expanded into murals and public art, allowing the same ideas I explore in the studio to exist at an entirely different scale.

I love that murals belong to a place.

You can't completely separate the artwork from the wall, the street, the building or the people walking past it every day. That relationship has led me to work with communities, businesses and organisations to create site-specific pieces that respond to their surroundings.

Sometimes that means painting a giant exterior wall. Sometimes it means working with children to create something for their community. Sometimes apparently it means painting an entire house.

Colorful mural depicting a stylized landscape with multiple tiers. The top shows a sky with yellow and red clouds and small white clouds. Below are rolling hills with trees in various colors, topped with a blue sky. The bottom features a red ground with a pink animal resembling a mix between a kangaroo and a dog, surrounded by plants and colorful rocks. The artist's name, Kat Tillman, is written at the top.

A woman is sitting on a small ladder in front of a colorful mural depicting a whimsical landscape with trees, clouds, and a sunset. She is smiling, wearing a light green jacket and ripped jeans, with art supplies around her, including brushes and a paint container.

Which brings me to…

SIDE QUEST STORIES

In 2026, I transformed an entire house into an immersive artwork for Side Quest Stories.

What began as an ambitious painting project became an exploration of something much bigger: creativity, storytelling, recovery and the unexpected things people find that help them move through difficult periods of their lives.

Alongside the physical transformation of the house, Side Quest Stories became a documentary project sharing the stories of women who have used creative pursuits as a way to rebuild, reconnect and find something of themselves again.

Painting an entire building changed the way I thought about my own practice too.

It reinforced something I'd been circling for years: places aren't passive.

They hold things.

Memories, people, histories, beginnings, endings — and sometimes entirely new chapters.

A woman standing on a ladder working on the wooden framework of a house under construction, with colorful insulation panels inside the walls.

A LITTLE MORE OFFICIALLY…

Artist Bio

Kat Tillman (b. 1989, Wollongong) is a Naarm/Melbourne-based visual artist, muralist and designer whose practice explores place, memory and nostalgia through painting and large-scale public art.

Growing up in the coastal town of Thirroul, NSW, Tillman developed an enduring connection to landscape and the way places become intertwined with memory. Her work is characterised by bold colour, playful forms and a distinctly Australian visual language, moving between beaches, bushland, homes, wildlife and the familiar details of everyday life.

Tillman has presented three solo exhibitions in Melbourne — Just a While Longer (2022), Plenty of Time (2023) and Long Drives and Salty Snacks (2024) — alongside group exhibitions, commissioned work and an extensive body of murals and public artworks.

Her multidisciplinary practice extends across illustration, design and socially engaged work, including Side Quest Stories(2026), an immersive whole-house artwork and documentary project exploring creativity, storytelling and recovery.

Tillman holds a Bachelor of Applied Design from Billy Blue College of Design, where she later lectured in User-Centred Design and Design Thinking.

AND THE LESS OFFICIAL VERSION…

When I'm not painting, I'm usually thinking about painting.

I'm drawn to colour, old houses, Australian landscapes, things with a bit of wonk, excellent signage, people's oddly specific stories and places that feel like they've been properly lived in.

I believe art can be meaningful without being miserable, nostalgia doesn't have to be beige, and sometimes the most ordinary places make the best paintings.

My work has taken me from tiny pieces of paper to very large walls — and, somehow, to every surface of an entire house.

I'm still curious about where it might take me next.

If you've got a wall, a place, a story or an idea you'd like to talk about, I'd love to hear it.

CV

EDUCATION

2014
Bachelor of Applied Design, Billy Blue College of Design

SOLO EXHIBITIONS

2024
Long Drives and Salty Snacks — Melbourne, VIC

2023
Plenty of Time — Melbourne, VIC

2022
Just a While Longer — Melbourne, VIC

SELECTED PROJECTS & PUBLIC ART

2026
Side Quest Stories — Creator & Lead Artist, Warrandyte, VIC
Latrobe Community Health Service — Churchill, VIC
Rochester Hotel — Fitzroy, VIC
Strawberry Fields Festival — Tocumwal, NSW

Selected previous projects
Women's Health Clinic
Barnagnen Youth Residential Centre
Lucky Schmucks
WHR Allied Health
Strong Street
St Davids Street
Loch Hart
Eddy Gardens
Little Wine shop
The Rochester Hotel

SELECTED COLLABORATIONS & CLIENTS

Canva
Dulux
Camilla
Yours & Owls Festival
Bells at Killcare
What Were You Wearing Australia
Ocean Mind
Art x Scrubs Australia
Yuki Threads
Wet Dog

ILLUSTRATION

Marco's Daydream — Children's book illustration
Veraison Magazine — Article Illustrations

PUBLICATIONS & MEDIA

Artist Profile
Veraison Magazine
Geelong Advertiser

TEACHING

2016–2017
Lecturer — User-Centred Design & Design Thinking
Billy Blue College of Design

2025
Workshop organiser/instructor — Barnagnen Youth Residential Centre

AWARDS & RECOGNITION

VIVID Ideas Designers Den — Winner
Young Entrepreneurs Grant — Recipient